Ruabon Nadarl is just another low-ranking member of the scan crew, slaving away for the UFS which “liberated” his homeworld. To help pass the time during long shifts he builds secret personalities into the robots he controls. Despite his ingenuity, the UFS offers few opportunities for a better life.
Then Ruabon detects an intruder on the surface of a vital communications tower.
He could just report it and let the deadly UFS commandos take over, while Ruabon returns to obscurity.
Or he could break UFS laws and try to capture the intruder himself. For the UFS, only the outcome matters, not the method. If his custom-programmed drones can save the day, he’ll be a hero.
I enjoy MurderBot and this short story kept me going between novels and novellas. Here we read about Dr Mensah’s reaction to being held hostage once they have returned to Preservation Station. Dr Mensah doesn’t want to admit that she’s traumatised. MurderBot doesn’t know what to do but in its own way tries to help.
I enjoyed reading about events from a different perspective and this short story shows how one of the main characters is affected by event without the intermediary of MurderBot. A good addition to the canon.
I had this book on pre-order but forgot when it was due to arrive so finding it in the post pile on Tuesday afternoon as I was leaving for swimming was a great surprise and a very happy one. I read it yesterday afternoon, to relax and because I needed my sci-fi fix.
We’re back on Preservation Station with MurderBot and its human friends. There’s been a murder! So MurderBot helps the Station Security investigate. Station Security really don’t want MurderBot around and initially suspect him, but it soon becomes clear that there are other things going on that no one knew about and a local has been suborned by the Corporations.
In this novella we see an expansion of MurderBot’s relationships and the world around him as the strangeness of Preservation in comparison to Corporate space is explored. As usual events are filtered through MurderBot’s experiences and thoughts, and are told with humour and panache. The final showdown is rather explosive. I love it.
“Dangerous, subtle, unexpected and familiar, angry and ferocious and hopeful. . . . The Empress of Salt and Fortune is a remarkable accomplishment of storytelling.”—NPR
The cleric Chih finds themself and their companions at the mercy of a band of fierce tigers who ache with hunger. To stay alive until the mammoths can save them, Chih must unwind the intricate, layered story of the tiger and her scholar lover—a woman of courage, intelligence, and beauty—and discover how truth can survive becoming history.
Nghi Vo returns to the empire of Ahn and The Singing Hills Cycle in this mesmerizing, lush standalone follow-up to The Empress of Salt and Fortune.
In The Empress of Salt and Fortune, Chih hears the stories of the Empresses life and that of her loyal companion. In this, Chih is up in the mountains, riding mammoths and being chased by tigers. Tigers who are able to turn into humans.
In order to save their life, and that of their human and mammoth companions, Chih tells a story about an earlier human Scholar who meets a tiger who can become a human. The tiger queen interrupts and corrects the story repeatedly.
This is another story within a story, although more accurately it’s two stories in a story as the tigers tell their version of events and the humans write it down for ‘correction’. And to save their lives. As Scheherazade tells stories to save her life, so Chih tells the story and listens to the tigers’ story in the hopes that the sun will rise and help will come with it.
I should have finished this a month ago but stuff got in the way and really, I rushed from reading the first book to reading this one and it was a bit too much of a change in pace and setting for me. However, this afternoon, after I walked Ezzie, had teas and then waited for the shopping delivery, I picked up this book. The last two thirds flew by in an hour. It was most inconvenient for the shopping to arrive early for a change, but I went back to the remaining pages, gripped with anticipation. How would Chih save them?
Obviously, I’m not going to tell you how, but Chih and the rest are saved, and the tigers leave. There’s a love story in the story within the story, and seeing things through the eyes of the tigers was fun, because they obviously have different priorities to humans.
I enjoyed the evocative descriptions, and the cultures and mythology of the civilisation of the books, which are clearly based on broadly east Asian, possibly more specifically Chinese and Mongolian, history, culture and mythology. I can’t wait to see what Chih gets up to next.
With the heart of an Atwood tale and the visuals of a classic Asian period drama, Nghi Vo’s The Empress of Salt and Fortune is a tightly and lushly written narrative about empire, storytelling, and the anger of women.
A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully.
Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor’s lonely new wife and gets more than she bargained for.
At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She’s a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.
In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.
But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.
On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid — a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.
But when a neighbouring mission goes dark, it’s up to the scientists and their Murderbot to get to the truth.
Major Grubane is commander of the Aurikaa, the most feared cruiser in the UFS arsenal.
His crew is handpicked and fiercely loyal. Together, they have never failed a mission, and their reputation precedes them.
But this time he’s been sent to a key planet that is caught up in political tensions at the centre of the freedom debate. What he thought was a simple diplomatic mission turns out to be the hardest choice of his career. His orders: eliminate one million inhabitants of the planet, and ensure their compliance.
Grubane has also rediscovered an ancient game called chess, and plays it against the ship AI as a form of mental training. But maybe it could be more than that as he finds himself asking questions. Can orders be reinterpreted? How many moves ahead is it possible for one man to plan? And how many players are involved in this game?
Dr Helene Vermalle is shaping the conscience of a goddess-level AI.
As a leading civilian expert in Emergent AI Socialisation, she has been invited to assist in a secret military project.
Her role? Helping ViraUHX, the most advanced AI in the universe, to pass through four theoretical development stages. But it’s not easy training a mind that surpasses her in raw intellect. And the developing AI is capable of killing her with a single tantrum.
On top of this, she must prove her loyalty to the oppressive government hovering over her shoulder. They want a weapon. She wants to instil an overriding sense of morality.
Can she teach the AI right and wrong without being categorised as disloyal?
Lost Tales of Solace are short side-stories set in the Lost Solace universe.
Raised by a heartsick AI, she’s programmed to kill. And desperate to flee.
After growing up on an isolated space station, Astra dreams of solid ground. But with an AI guardian plugged into her head–and her nervous system–it’s not like she’s flush with choices. In fact, she’s got just one: use her training to carry out the rogue AI’s revenge. Her first mission? Assassination.
When her target flashes a jamming device that would guarantee her escape from the AI’s grasp, Astra sets out to steal it. But the AI’s plans are more dangerous than she suspected. Corrupted by heartbreak, the wayward computer is determined to infect the star system with a new order of digital tyranny.
Astra’s been raised to care for no one but herself. Now she’ll have to decide if she’s willing to trade the star system’s freedom for her own.
Parting Shadows is a far-future take on Estella Havisham’s journey in Great Expectations, and the first installment in Kate Sheeran Swed’s Toccata System novella trilogy.