Review : Hamilton (musical)

I’ve just seen Hamilton in London (waiting for the train to leave King’s Cross as I type) and I have to add to the brilliant reviews it’s already received.

I enjoyed myself immensely, singing along to at least three songs. The songs are catchy, and the story gripping and moving. The acting, dancing and singing was definitely worth the effort of getting to London in this weather. Unfortunately, I don’t have a brochure so I can’t remember names of actors, but the ones who played Hamilton, Elizabeth, Angelica and George Washington were especially impressive.

The set was impressive, large pieces being moved around the stage for dramatic effect. I thought the costumes lovely. I liked the way they changed as the years passed and fashions changed.

The death of Philip Hamilton was terribly moving, even I cried. King George made everyone laugh with his terrible dancing. Historically inaccurate comic relief is acceptable. But only because I enjoyed the rest of it so much.

So, I definitely recommend it, even if you aren’t normally into musicals.

My weekend in London, part I

Good evening, how’s your weekend going? Good? Good.

Other than the incredible amount of pain in my left hip and lower back, mine is going great. I’m in London; I got here yesterday afternoon in the rain, navigated the Underground successfully, all on my own and made it to our hostel without getting lost.

Continue reading “My weekend in London, part I”

The V&A: Part 2

3rd March 2013

Screening of ‘The Recruiting Officer’


On the afternoon of our visit to the V&A there was a screening of ‘The Recruiting Officer’ (1706, George Farquhar) in the Hoehhauser Auditorium. It was one of a series of plays recorded and screened as part of the V & A’s National Video Archive of Performance screening’s programme. This particular play was recorded at the Donmar Warehouse in 2012 and was directed by Josie Rourke.

Tobias Menzies plays Captain Plume, the rakish, lovelorn and somewhat misunderstood recruiting officer of the play’s title. He’s sent to Shrewsbury with his sergeant, Kite (Mackenzie Crook) to drum up a company of men. He’s in love with his benefactor’s daughter (Justice Balance – Gawn Grainger, Silvia – Nancy Carroll) but despairs of ever getting her.

Meanwhile, the captain’s friend Mr. Worthy (Nicholas Burns) is in love with Silvia’s cousin Melinda, who since inheriting £20,000 has become haughty and too high for him. Into this group comes Captain Brazen (Mark Gatiss) to cause a stir by courting Melinda.

With double-crossing servants, cross-dressing daughter’s, conniving sergeants, musical townsmen and jokes about syphilis the play amuses and yet still remains poignant as disputes are resolved and the men go off to war.

Firstly let me say that I had no expectations of this play. I went because it was the centre piece of our group’s plans for the day (we followed it up with a visit to The Queen’s Head, Kensington – nice food, bit expensive, very busy/noisy/small). I knew nothing about the plot, the playwright or the majority of the cast.

That all being said, I enjoyed it immensely and left with the intention of seeking out a copy of the play to read (which is exactly what I shall do, just as soon as I’ve got all the blog posts from last weekend online – Gutenberg Project here I come). The cast were all excellent, the comic scenes played perfectly and the more emotional scenes tugged at heartstrings (the woman two seats away from me cried and I couldn’t help singing along to ‘Over the Hills’). The 143 minutes passed quickly. Particular highlights were Mark Gatiss’s portrayal of Captain Brazen, witty and cheeky, passing his cane to an audience member during his ‘fight’ with Captain Plume, and Katheryn Drysdale’s ‘Lucy’ is very funny as she attempts to catch herself a captain and rise from Melinda’s maid to a Captain’s lady. All the cast were great. I really enjoyed the music that laced the play; it acted as a unifying force as the action moves away from the trials and tribulations of recruiting men for the war effort, to the complicated love lives of the characters and then back to war.

I would have loved to have seen it on stage, but the recording was excellent. There was a moment just before the interval where there was a technical problem, but that was quickly fixed and didn’t mar enjoyment of the screening overall. I would certainly like to be able to get a DVD of the recording, although I don’t think that they are available. The staff members at the auditorium were friendly and helpful, and engaged with and informed the audience in a cheerful manner.

The remaining screenings are

  • Butley by Simon Gray 10th March
  • Tusk Tusk by Polly Stenham 17th March
  • A View from The Bridge by Arthur Miller 24th March

All start at 14:00 – see the V & A website for details

Take a look at the V&A’s website, it’s quite interesting,

Bye for now,